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Chen Shu, the president of the China Association of Mammoth Ivory Art Research, has a large collection of mammoth ivory carved objects and tusks at his Beijing apartment.CreditGilles Sabrié for The New York Times

NANJING, China — Environmentalists worried about the fate of Africa’s dwindling elephant population cheered when China announced a ban on the sale of commercial ivory last year, but an increasingly popular substitute is raising concerns of its own.

To sustain a carving and collecting tradition that is centuries old, many Chinese artisans have turned not to ivory from elephants but from the tusks of extinct mammoths harvested from an unlikely place: the melting permafrost of Russia’s Arctic.

While mammoth ivory has been promoted as an ethical alternative, since it does not come from the poaching of live animals, some conservationists argue that the booming trade in it fuels demand for ivory in general. And the mammoth ivory industry, they say, could end up providing legal cover for the black-market trade in elephant ivory.

The legal importation of mammoth ivory, which comes from creatures that vanished more than 3,600 years ago, has skyrocketed in China as dealers and carvers seek a substitute to meet the demand. In the first six months of this year, more than 27 tons of the ivory entered Heilongjiang, the province that borders Russia’s Far East, the government there announced recently. In the same period last year, it was less than four tons. More mammoth ivory funnels in through Hong Kong, where imports are now averaging 34 tons a year, three times the average in 2003, according to one estimate.

“If we can get more, we can make more,” said Wu Xinghua, an owner of Jin Sha Mammoth, which operates five workshops and two galleries around China that produce and sell jewelry, pendants and other intricately carved figures.

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Carving mammoth ivory tusks at a a workshop of Jin Sha Mammoth, on the outskirts of Beijing.CreditGilles Sabrié for The New York Times

No one can be sure how much mammoth ivory remains to be unearthed, but as a fossil, it is limited in supply and will one day dry up. For now, some say it is the best hope for preserving the heritage.

The drastic shift in the ivory market, though, is raising a host of concerns that could temper the accolades China won for its plan to phase out commercial sales. The two types of ivory can generally be told apart by their appearance — mammoth ivory is often darker on the outside — and by the pattern of crosshatching. But conservationists worry about anything that could help the elephant ivory trade, which has proved difficult to stamp out.

“As long as there is a legal trade in mammoth, ivory of all kinds can be laundered into it,” said Mark Jones, associate director for policy for the Born Free Foundation, a wildlife conservation organization based in London.

Beyond that, China’s appetite for ivory also appears to be encouraging a shadowy network of traffickers working in Russia. In April, the authorities in Heilongjiang seized a ton of mammoth ivory, including 107 tusks, that a truck driver was smuggling across the border hidden in compartments of a tractor-trailer to evade customs duties. Legal and illegal shipments are believed to flow through Hong Kong, too.

Mr. Wu travels each summer to Yakutsk, a provincial capital in Siberia, to buy ivory from a man, he said vaguely, who had connections with Russia’s military, though he clears his purchases through customs in each country.

Collecting the tusks like berries or mushrooms on the tundra is allowed in Russia – with a license – but using industrial methods to prospect for buried skeletons is not. But as a photographer from Radio Free Europe/Radio Liberty documented last year, piracy in Siberia appears unchecked in places, causing untold damage to the environment and washing away the possibility of scientific research that might have been done on the sites to learn more about life on earth millenniums ago.

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Carving a tusk at Jin Sha Mammoth. Elephant and mammoth ivory can generally be told apart by appearance — mammoth often being darker on the outside — and by the pattern of their cross-hatching. But conservationists worry about anything that could help the elephant ivory trade, which has proved difficult to stamp out. CreditGilles Sabrié for The New York Times

Ivory’s place in Chinese culture and history will make the trade difficult to squelch entirely. And many here say the craftsmanship involved should be preserved. Prized as “white gold,” ivory has for centuries been considered a symbol of prestige and, as a gift, of honor. It is also an object of veneration and even considered a source of healing. For all those reasons, China long resisted restrictions on ivory.

When the United Nations-backed Convention on International Trade in Endangered Species banned the sale of elephant ivory, with some exceptions, in 1990, China was given an extra year to comply. In 2008, when the convention allowed a controversial auction of ivory stockpiles amid signs that the herds in Africa were recovering somewhat, China bought 68 tons, while Japan bought nearly 42. That is, officially, China’s only stockpile, and it is dwindling as the ivory is auctioned to factories.

Illegal trade, however, has flourished, as has poaching in Africa. According to an authoritative survey by the International Union for Conservation of Nature last year, 93,000 to 111,000 elephants were lost from 2006 to 2015, the most precipitous decline since the 1970s and 1980s. Most of the ivory ends up in Asia, especially China. 

Under growing pressure because of the slaughter, China’s president, Xi Jinping, pledged to impose a ban in 2015 during a meeting with President Barack Obama. Last December, the government detailed the plan for phasing one in, and since then has seemed serious about enforcing it.

In March the State Forestry Administration, which oversees the trade, ordered 67 factories and retailers to close. Zhang Dehui, the agency’s director for wildlife, said in an interview that another 27 factories and 78 stores would also have to close by Dec. 31. The police have also been cracking down. Last month, they seized 3,185 ivory items being sold by unlicensed vendors in a market in Beijing’s Chaoyang District.

The ban has nonetheless thrown the market into upheaval. In Nanjing, a city of eight million on the lower Yangtze, six of seven retailers closed with the first wave in March. The last one open is the Nanjing Arts & Crafts General Company, a state-run gallery exhibiting all manner of crafts, though for the moment ivory holds center stage in the store’s glass displays.

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Ivory bracelets on display at Nanjing Arts & Crafts General Company, a state run gallery.CreditGilles Sabrié for The New York Times

Signs hanging around the store offered 68 percent discounts on virtually all of the roughly 10,000 pieces the store manager, Liu Zhengyu, has to sell before the end of the year. Chopsticks, amulets, bracelets, pendants, even a showpiece, an intricately carved dragon boat that previously cost $225,000 – everything must go.

Mr. Liu said that his store would survive by selling other crafts, but holding an intricately carved ivory sphere containing 21 increasingly smaller, free-moving spheres inside it, he lamented what would be lost with the ban. “A lot of people will stop doing this,” he said.

Among those who have is Dai Deyu, a carver from Nanjing whose work once sold in the store. He followed his grandfather and two older brothers into the craft, beginning as an apprentice when the Cultural Revolution ended. Now 54, Mr. Dai stopped carving elephant ivory last year. And while he has tried his hand at mammoth ivory, it is not the same, he said. “Ivory carving is, after all, an intangible part of cultural heritage,” he said.

At one of Mr. Wu’s workshops in Songzhuang, a gritty suburb of Beijing that has become known as a colony for artists priced out of the center, three of 14 artists worked with small pieces of broken or cut mammoth tusks to fashion figurines.

“There’s a very smooth transition from elephant to mammoth,” one carver, Zheng Kaiwen, said. Since finishing art school in 2007, he has worked only with mammoth, never elephant, he said, adding that he chose it over other materials, like jade, because it “is more expressive.”

“This tradition has been inherited for so many years,” he said, “it is not going to disappear.”

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